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  • image Adam vol.57/45

Reference number

Adam vol.57/45

Purpose

Italy: ? Naples. Study of a table leg carved in the form of a young satyr holding a basket, drawn in profile.

Aspect

Elevation

Inscribed

Inscribed in ink 45

Signed and dated

  • Undated, probably April 1755.

Medium and dimensions

Pencil, pen, brown and grey washes144 x 92

Hand

Robert Adam

Notes

This small drawing, together with Adam vol.57/44 and 57/46, are on the same album leaf as vol.57/43 and on account of their subject-matter may be part of the drawings that form the 'Voyage de Naples' set. All three depict antique artefacts that may well have been seen by Robert Adam at Herculaneum or elsewhere around Naples in 1755. The later pencil additions on the right continue onto the album leaf, showing they were added after the shhet had been pasted into the album.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).