[5] Design showing the basement storey of the house, c1761

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Robert and James Adam office drawings
- Town houses
  - London
    - Hyde Park Corner (site of 145-146 Piccadilly), London: unexecuted designs for a house for the 2nd Earl of Shelburne, c1761 (9)
      - Preliminary designs and designs for the house, c1761, unexecuted (9)

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Reference number

SM Adam volume 43/88

Purpose

[5] Design showing the basement storey of the house, c1761

Aspect

Plan of the subterreanean basement storey of a house with a central block, with projecting bays on the principal and garden fronts, and with a central three-bay bow on each side, and containing a cental circular room, and with a service wing connected to the rear

Scale

bar scale of 4/5 inch to 10 feet

Inscribed

Plan of a House for The Right Honble The Earl of Shleburne fronting Piccadilly and the Green Park (in the hand of William Adam and underwritten in pencil) / Servants Hall / Butlers Pantry / Butlers Bed Room / Plate Room / Wine binns / Coal Cellar / Store Cellar / Wine binns / Store Room / Still Room / Powdering room / Coal Vault / Coal Vault / Scullery / Larder / Larder / Kitchen / Court / Small Beer Cellar / Privy / Coal Vault / Ice House and measurements given (verso) 2 / of Lord Shelburne's House / Hyde Park Corner

Signed and dated

1761
datable to c1761

Medium and dimensions

Pen and pencil on laid paper (595 x 504)

Hand

Adam office hand, with title inscription in the hand of William Adam

Watermark

XD&CB within a cartouche

Literature

Bolton, 1922, Volume II, Index p. 45
King, 2001, Volume II, p. 130
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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