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image SM (8) volume 42/142

Reference number

SM (8) volume 42/142

Purpose

Working drawing (by Soane)

Aspect

8 Elevation of a six-panel door labelled No 4 pair of these doors and detail of Moldings on pannels full size, B and plan of door frame and elevation of partly glazed Hall door / B.B. The same Moldings on the outside of / New door, as on the other door marked B. / The Sash to be of 2½ Wainscot Astragal ---- (illegible), A deal door 2½ thick A, A.A. Solid frame already made, Inside bead (?) of lock & the / pannels glued up in / two thicknesses, reversing / the Grain of the Wood and dimensions given (verso) sums

Scale

bar scale of 1/12 inch to 1 foot (pricked through)

Inscribed

as above

Medium and dimensions

Brown pen, pencil on laid paper with two fold marks and folded to fit (317 x 398)

Hand

Soane

Watermark

Prop Patria (Heawood 3710) and (?) RW encircled

Notes

Henry Greswold Lewis was among the party of Grand Tourists that, with Soane, visited Sicily in 1779. In August 1783, Soane was at the late 17th-century Malvern Hall having been asked to make repairs, alterations and additions to the house. The drawing catalogued here was for a door (of which eight were required) with moulded panels defined by three cavetti, and for a single glazed door to the hall with the same mouldings in the lower part.
See Concise Catalogue for other drawings relating to Malvern Hall.

Literature

D. Stroud, Sir John Soane, architect, 2nd ed., 1996, pp.122-3

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).