Explore Collections Explore The Collections
You are here: CollectionsOnline  /  [11] Finished drawing for a chimneypiece for the drawing room (originally the great eating room), 1766, unexecuted

Browse

  • image SM Adam volume 22/172
Use of images and copyright
Enlarge this Image
Print this image in A4 view  (icon indicating printer link)

Reference number

SM Adam volume 22/172

Purpose

[11] Finished drawing for a chimneypiece for the drawing room (originally the great eating room), 1766, unexecuted

Aspect

Elevation of a chimneypiece, with Corinthian pilaster stiles ornamented with calyx enclosed by figure-of-eight wreaths, with a lining ornamented with egg and dart moulding, with a frieze ornamented with rosettes, fluting festoons, and wreaths, and a tablet containing an urn, griffons, rosettes, and arabesques, with a mantel ornamented with laurel leaf tips, and dentils, and with enclosed rosettes in the capitals

Scale

bar scale of 1 1/4 inches to 1 foot

Inscribed

Chimney Piece for the Drawing room at Ugbrooke (in pen in the hand of William Adam) / (and in pencil) Ld Clifford Drawing Room Chimney / 4ft 10 Ins this height proposed / Upper [ _ _ _ _ _ ] of Cornice in Glass / [ _ _ _ _ ] it

Signed and dated

  • 1766
    1766

Medium and dimensions

Pen, pencil and wash within a single ruled border on laid paper (375 x 272)

Hand

Adam office hand, possibly William Hamilton, with title inscription in the hand of William Adam

Literature

Bolton, 1922, Volume II, Index p. 30
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).