[84] Finished drawing for a pier glass frame for the Etruscan dressing room, 1775, executed with minor alterations

Explore Collections

You are here: CollectionsOnline / [84] Finished drawing for a pier glass frame for the Etruscan dressing room, 1775, executed with minor alterations

Browse

Robert and James Adam office drawings
- Country houses
  - Osterley Park, Hounslow, Greater London: designs for the house, interior and park for Francis Child and Robert Child, 1761-80 (126)
    - Interior decoration
      - Variant unfinished design and finished drawing for a pier glass frame for the Etruscan dressing room, 1775, drawing 84 executed with minor alterations (2)

Use of images and copyright
Enlarge this Image

Print this image in A4 view

Reference number

SM Adam volume 20/44

Purpose

[84] Finished drawing for a pier glass frame for the Etruscan dressing room, 1775, executed with minor alterations

Aspect

Elevation of a rectangular pier glass frame as Adam volume 20/45, but with the rosettes enclosed within figure-of-eight beading, a blank medallion with a frame of enclosed rosettes, and without any military trophies

Scale

bar scale of 1 1/2 inches to 1 foot

Inscribed

Dressing Room at Osterley (in pencil) / Glass frame for the Etruscan Dressing room at Osterley

Signed and dated

1775
1775

Medium and dimensions

Pen and coloured washes including Indian yellow, black and cerulean blue within a double ruled border on laid paper (379 x 542)

Hand

Adam office hand, possibly Joseph Bonomi

Watermark

IV and fleur de lis within crowned cartouche

Literature

Bolton, 1922, Volume II, Index p. 25
Harris, 1963, pp. 51, 83
For a full list of literature references see scheme notes.

Level

Drawing

Exhibition history

Original Drawings of Robert and James Adam, Kenwood House, London, 1953

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).