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  • image SM 64/6/2

Reference number

SM 64/6/2

Purpose

[163] Design for the grounds by John Haverfield

Aspect

Ground plan of the estate

Scale

to a scale of 1/4 inch to 10 feet, approximately

Inscribed

New / Buildg , offices, Kitchen / yard, Orchard, Garden kept Grounds, Hah! Hah!, Kitchen Garden / one acre, Greenhouse, Barn & Horse Fold, Buildings, Poultry Yard, Buildings, Cow Fold, Buildgs, Rick yard, Hay & / Straw B, Co: Houses, Harn / ess / R[oom], Hay & Straw / Barn, dimensions given, calculations in pencil

Signed and dated

  • c. 1799
    1799 or later (watermark)

Medium and dimensions

Pencil, pen and coloured washes, including pink, sepia and grey, on laid paper with four fold marks (392 x 320)

Hand

John Haverfield (c.1741 - 1820), draughtsman
John Haverfield (c.1741-1820)

Watermark

Golding & Snelgrove 1799 and seated Britannia within crowned oval frame

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).