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image 3/5/41

Reference number

3/5/41

Purpose

[110] Working drawing for finishings to the ground floor of the tribune, 8 October 1796

Aspect

Longitudinal section and corresponding wall-plan; elevation of a door and corresponding detail of surrounding architrave; full size detail of overdoor mouldings; detail of pilasters; detail of Fret in Arches over Pilasters; detail of Architrave to Door into Drawing Room D; detail of Door into Bow Room; elevation and Section of Cornice to Doors at end of Inner Hall

Scale

full size, half the full size and to a scale

Inscribed

as above, William Praed Esqr, Finishings of Tribune at Tyringham, longitudinal section lettered A (four times), P, D, W, Stone plinth, These lines in Pencil, W, The same Architrave to this Door as / to the Center Door into the Bow Room / 6 inches wide, Pilaster P, Stone Plinth, A, full size, K (full size), Next the Room, Door opposite to W, 3 beads (twice), Door, A, Sunk 1/8 inch, Qy Center, B, Fret in arches over Pilasters, (pencil) Fret to Gt arches over Pilasters 1/2 full size / Observe in the Center the fret A is omitted as at B, Architrave to Door into Drawing Room D (full size), Stone Plinth, line of Frieze, Door into Bow Room, Bed mould omitted in the raking / part, Cornice to Doors at end of Inner Hall &c, Section

Signed and dated

(Copy) Lincolns Inn Fields Octr 8th 1796

Medium and dimensions

Pencil, pen and grey and pink washes on wove paper with three fold marks (675 x 557)

Hand

Soane office

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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