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  • image Image 1 for SM 80/1/58 recto and verso
  • image Image 2 for SM 80/1/58 recto and verso
  • image Image 1 for SM 80/1/58 recto and verso
  • image Image 2 for SM 80/1/58 recto and verso

Reference number

SM 80/1/58 recto and verso

Purpose

[8] Working drawings for drawing room, c. 1794 (check insc.)

Aspect

(recto) Details of Architrave to Door & / Windows full size, Base & Surbase Moldings / full size and Cornice full size (verso) Plan and laid-out wall elevations for a circular Drawing Room

Scale

(recto) full size (verso) no bar scale - 3/8 inch to 1 foot ?

Inscribed

(recto) as above, Floor Line, Wall Line, line of Ceiling, (pencil) Dado (twice) and illegible (verso) as above, Honble Mrs Yorke, a. Plan of Pannel in Soffite of Window / b & Flush beads, the whole rail to be wood / to the bottom of Cornice, Jib door, Door into Library, Jib door and two dimensions given

Signed and dated

  • c. 1794
    (verso, drawing trimmed) J 31st [January or July] 17-- ?

Medium and dimensions

(recto and verso) Pen, pencil with sepia and yellow washes, shaded on wove paper with two fold marks (530 x 618)

Hand

Soane Office, draughtsman
Soane office

Notes

As with drawing 7, Soane has added instructions to the builder as to the finishing of the walls, floors, windows, shutters and doors.

The drawing room has a circular plan with three tall windows on one side, a chimney-piece on another, a panelled door on another side and a (concealed) jib door on the fourth side that leads into the library.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).