[23] Finished drawing for a funerary monument, 1761, as executed

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Robert and James Adam office drawings
- Monuments and mausolea
  - Bowood Mausoleum, Calne, Wiltshire: mausoleum and monument to John Fitzmaurice, 1st Earl of Shelburne, commissioned by Mary Fitzmaurice, Countess of Shelburne, 1761, executed (23)
    - Finished drawing for a funerary monument, 1761, as executed (1)

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Reference number

SM Adam volume 19/65

Purpose

[23] Finished drawing for a funerary monument, 1761, as executed

Aspect

Plan, elevation, profile, and section of a rectangular monument, with a pedestal ornamented with enclosed rosettes, and a tabula ansata-shaped inscription panel, surmounted by a sarcophagus with eight block feet, and ornamented with Doric pilasters, strigilation, festoons, a roundel, a frieze of fluting and rosettes, a lid ornamented with laurel leaves, and pediments containing arabesques in the tympanum, and acroteria enclosing anthemia

Scale

bar scale of 9/10 inch to 1 foot

Inscribed

Countess of Shelburne / Bowood (in pencil)

Signed and dated

1761
datable to 1761

Medium and dimensions

Pen, pencil, wash, and pink wash within a single ruled border on laid paper (508 x 378)

Hand

Adam office hand, possibly Agostino Brunias

Literature

Bolton, 1922, Volume II, Index p. 4
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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