[54] Variant designs for a carpet for the gallery, 1768, unexecuted until the 1970s

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Robert and James Adam office drawings
- Country houses
  - Syon House, Brentford, Greater London: designs for the interior and the park for the 1st Duke of Northumberland, 1761-69 (69)
    - Variant designs for a carpet for the gallery, 1768, unexecuted until the 1970s (1)

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Reference number

SM Adam volume 17/172

Purpose

[54] Variant designs for a carpet for the gallery, 1768, unexecuted until the 1970s

Aspect

Plan of a detail of a rectangular carpet with a border of fret and guilloche enclosing rosettes, and the central compartment composed of rosettes enclosed by strigils. To the right-hand side are shown variants of the central pattern on a larger scale, and rosettes alternating with anthemia enclosed by lozenges

Scale

to a scale

Inscribed

Carpet for the Gallery at Sion (in the hand of William Adam) (verso) For Mr Adams Grosvenor Street

Signed and dated

1768
datable to 1768

Medium and dimensions

Pen and coloured washes including terre verte, Prussian blue and red on laid paper (583 x 445)

Hand

Adam office hand, possibly William Hamilton, with title inscription in the hand of William Adam

Literature

Bolton, 1922, Volume II, Index p. 28
Harris, 1963, Index p. 52
Stillman, 1966, p. 107
For a full list of literature references see scheme notes.

Level

Drawing

Exhibition history

Original Drawings of Robert and James Adam, Kenwood House, London, 1953

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).