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image SM Adam volume 9/160

Reference number

SM Adam volume 9/160

Purpose

[1] Preliminary design for the first scheme for the mausoleum, 1761, unexecuted

Aspect

Rough part plan and elevation of a building with a narrow, rectangular vestibule of one storey and seven bays. This is articulated by Doric columns, with a central door, flanked by two bays containing niches. With figurative sculptures on pedestals in the projecting end bays, which are surmounted by sarcophagi. Behind the vestibule is a two-storey, circular drum and dome, containing three windows. There are also details of the frieze and the sarcophagi in the top right-hand corner

Scale

not to scale

Signed and dated

datable to 1761

Medium and dimensions

Pen on laid paper (189 x 133)

Hand

Robert Adam

Literature

King, 2001, Volume II, p. 215
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).