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image SM (1) 47/2/57

Reference number

SM (1) 47/2/57

Purpose

Survey of part of Wardour Castle, April 1788

Aspect

1 Ground plan showing the west end of the chapel, the court, dairy and wash house

Scale

bar scale of 1/8 inch to 1 foot, approximately

Inscribed

From top of Court yard to underside of / coping of wall is 14 9 / Court yard below Dairy Floor / allowing 4 inch above the levell of / the ground without side is 5.1, 1 9 below dairy (pencil) This wall to / be Left Down, 10 ft (twice), door, --- (illegible) 2 8½ far below level / of ----, and dimensions and calculations in pencil

Signed and dated

datable to April 1788 (see Notes)

Medium and dimensions

Pen and pencil on laid paper with two fold marks (480 x 400)

Hand

attributed to Robert Woodgate (clerk 1788-1791)

Watermark

crowned cartouche with GR below

Notes

The west end of the chapel (ritual west end), hemmed in by an arrangement of outbuildings, forms the fourth side of a courtyard. The north-east and north-west corners of the court are occupied by a dairy and another outbuilding that resembles a wash house, respectively. The courtyard entrance is on the west wall.

The west half of the chapel has a semicircular end articulated with attached columns. For full plan, see preliminary designs on drawings 2 and 3.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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