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image SM 30/2/67

Reference number

SM 30/2/67

Purpose

[141] Design for the interior of the entrance hall

Aspect

Longitudinal section; cross section; rough section of roof; section of the south end of the hall; part-plan showing a column in corner; and rough cross section showing columns supporting vaults

Scale

to a scale

Inscribed

(Soane, pencil) under bell, string, Present leve of Gr[oun]d at highest / corner of new hall is 1:9½ / below floor of old hall // dd for one step in / doorway into / new hall &c 9 / raising of Grd // leaves diff[eren]ce between / level of new & old / Hall / 1:0, window cill 12.1 / 3.2 / 4 / to top of Cill of the / venetian window is 15.7, Col[umn]s 10 feet high 1.7½ / Entab[lature] 1.10½ at top 1.4 / 11.10½, and dimensions in pen and pencil, (Bailey) The Marquiss of Abercorn, Sketch of a design for the new entrance hall at Bentley Priory

Signed and dated

(Bailey) 1798

Medium and dimensions

Pencil, pen and green, yellow, pink and blue washes on wove paper (560 x 626)

Hand

SOANE, Sir John (1754--1837), architect
Soane, and some titles added later by George Bailey (1792-1860, pupil and assistant 1806-37, curator 1837-60)
Bailey, George (1792--1860)
Soane, and some titles added later by George Bailey (1792-1860, pupil and assistant 1806-37, curator 1837-60)

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).