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image SM volume 109/68

Reference number

SM volume 109/68

Purpose

[8/5] Finished design for the plan of the turrets and peristyle of the chapel dome, derived from the quarter plan, [8/4]

Aspect

Plan of dome across lower level of peristyle

Scale

Just over 10 feet to 1 inch (5 feet = 4 9/10 inch)

Inscribed

In brown ink by C19 hand, at top right, 68.

Signed and dated

  • Undated but datable 1711

Medium and dimensions

Pen and brown ink over graphite under-drawing and construction lines on laid paper, with central vertical fold, worn and torn in places along bottom edge; pasted at top to 109/67, [9/2], and to a book guard on left; early binding stitch holes on right. 360 (370 including overlap with 109/67) x 464.

Hand

John James

Watermark

Small fleur-de-lis; IV

Notes

This neatly drawn plan of the entire dome and corner turrets at the lower level derives from Hawksmoor's quarter-plan, [8/4] l. The attribution to James is based on the scale bar convention, the fine pen drawing technique, and the heavy divider point markings (compare [8/8], which bears inscriptions in James's hand). In the plans of the turrets James correctly drew the square bases in dotted outlines to indicate that they are at a lower level. See also [8/6].

Literature

Downes 1979, cat. no. 339 Wren Society, pl. 40, bottom left

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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