Explore Collections Explore The Collections
You are here: CollectionsOnline  /  [105] Working drawing for the chimney-piece in the eating room, July 1791

Browse

top left corner
top right corner
bottom left corner
bottom right corner
image SM 81/1/15

Reference number

SM 81/1/15

Purpose

[105] Working drawing for the chimney-piece in the eating room, July 1791

Aspect

Detail of the frieze of the eating room chimney-piece; elevation; and plan of one jamb

Scale

full size and bar scale of 1¼ inch to 1 foot

Inscribed

(Soane) Eating Room at Bentley Priory, The circles & sides of the pilasters / between the beads are to be of / black or yellow marble; all the / rest to be of the best veinged marble, 6 inches, black / or / yellow, black marble / or yellow, cavetto, calculations in pen and pencil, and dimensions given

Signed and dated

July 1791

Medium and dimensions

Pencil, pen and wash (465 x 587)

Hand

SOANE, Sir John (1754--1837), architect
Soane

Watermark

Portal & Bridges and crowned cartouche with GR below

Notes

Soane's drawing for the eating room chimney-piece specifies veined marble with either yellow or black marble detailing. The chimney-piece has a continuous crescent motif as in the cornices (see drawings 82 to 84) with yellow or black marble disks within each crescent. The ends of the frieze have sculpted urns set within circular niches and the centre has a frieze-tablet with a wreath behind crossed thyrsi. The chimney-piece ornamentation continues the Bacchic theme of the eating room.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).