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You are here: CollectionsOnline  /  [16] Presentation drawing for design No IV, executed design, Basement Floor, March 1789

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image SM 30/2/11

Reference number

SM 30/2/11

Purpose

[16] Presentation drawing for design No IV, executed design, Basement Floor, March 1789

Aspect

Plan of the Basement Floor

Scale

bar scale of 2/5 inch to 1 foot

Inscribed

(upper case) as above, with the proposed alterations and additions, Design No IV, The Honble John James Hamilton, and plan labelled: passage, cellar / 18'6" by 14'9", Passage, Servants Room (twice), Servants Room / 9'0" by 23'0", Bath / 10'0" by 16'6", Mr Hamilton's / dressg room / 9'0" by 23'0", Stewards Room, Housekeepers Room

Signed and dated

Welbeck Street March MDCCLXXXIX

Medium and dimensions

Pen and pink, black, grey and blue washes, within double-ruled and wash border on laid paper (715 x 495)

Hand

Attributed to Sanders, John (1768--1826) - Library - Catalogs, draughtsman
attributed to John Sanders (1768 -, pupil 1784-90) and Thomas Chawner (1774-1851, pupil 1788-94)
Attributed to Pupil 1788-94 Thomas Chawner, draughtsman
attributed to John Sanders (1768 -, pupil 1784-90) and Thomas Chawner (1774-1851, pupil 1788-94)

Watermark

J Whatman and fleur-de-lis within crowned cartouche with W below

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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