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image SM (5) volume 41/72 verso

Reference number

SM (5) volume 41/72 verso

Purpose

Record drawing of a design for the office court and stables

Aspect

5 Ground floor plan

Scale

bar scale of 1/20 inch to 1 foot

Inscribed

Lord Mulgrave, Kitchen Court, cheese / chamber, dairy, wet / larder, day larder, kitchen, passage, bakehouse / & / Scullery, open area, meal, coals &c, wood &c, dust, laundry, brewhouse, washouse / & / Scalding room / for the dairy, Ride, Stable Court, Saddles &c, Loose stable, Coachouse (twice), Loose stable, Harness &c

Medium and dimensions

Pen and grey, pink and black washes, pencil, on laid paper (364 x 244) bound into Precedents in Architecture SM volume 41

Hand

John Sanders (1768 -, pupil 1 September 1784-90)

Watermark

fleur-de-lis

Notes

The offices are as shown in drawing 3 but inverted on a north-south axis so that, for example, the dairy is on the east range, kitchen in the south-east corner, etc. The stables are on a rectangular plan measuring 95 by 95 feet, with entrance gates at four corners flanking the south and north ranges. The stables have a capacity for four coaches and twenty six stalls, as well as two loose stables; innovatory loose boxes were generally only introduced in stables design from about 1798 (Worsley, op.cit, p.185). A ride is shown with a dotted line on the south side of the court; Soane built enclosed rides at Skelton Castle and Lees Court (q.v.).

The stables at Mulgrave were not built as shown, owing to the steep incline of the ground. Instead, the executed stables consisted of a long range with short returns, allowing for an enclosed ride on the back wall and a small yard in front.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).