[36] Preliminary design for a garden seat for Lady Scarsdale c1760-70, unexecuted

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Robert and James Adam office drawings
- Country houses
  - Kedleston Hall, Derbyshire: designs for landscape architecture, alterations to the house, and interior design for Sir Nathaniel Curzon, 5th Baronet (created Lord Scarsdale 1761), 1759-72 (149)
    - Designs for buildings within the park, including a boat house, garden hut, garden pavilion, stables, farm offices, greenhouse, viewing tower, bridge, gateway, milestone, pheasant house, parsonage house, farm house and inn
      - Preliminary design for a garden seat, c1760-70, unexecuted (1)

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Reference number

SM Adam volume 4/33

Purpose

[36] Preliminary design for a garden seat for Lady Scarsdale c1760-70, unexecuted

Aspect

Rough elevation of a small circular building, with five bays on the visible side, with semicircular-headed windows between terms, and above a tiled roof supporting a drum ornamented with medallions and festoons, and a dome

Scale

not to scale

Inscribed

Seat of Wood & Canvass for Lady Scarsdale / in the Garden at Kedleston / 12ft Dr at Bottom

Signed and dated

1760-1770
date range: 1760-70

Medium and dimensions

Pen on laid paper (190 x 244)

Hand

Robert Adam

Literature

Bolton, 1922, Volume II, Index p. 19
King, 2001, Volume II, p. 208-10
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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