[7] Design for a ceiling for the drawing room (now the library), as executed, 1759

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Robert and James Adam office drawings
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  - Hatchlands, Surrey: executed designs for interior decoration for the Rt Hon. Admiral Edward Boscawen, 1758-59 (15)
    - Design for a ceiling for the drawing room (now the library), as executed, 1759 (1)

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Reference number

SM Adam volume 11/3

Purpose

[7] Design for a ceiling for the drawing room (now the library), as executed, 1759

Aspect

Plan of a square ceiling with a canted bay, a central circular compartment, and four radiating quadrant sections forming an x-shape arrangement, ornamented with figured medallions and naval trophies

Scale

bar scale of 1/2 inch to 1 foot

Inscribed

Ceiling for Admiral Boscawens Drawing Room Markd E on the Plan / 24 feet Sqr without the Beam

Signed and dated

1759
1759

Medium and dimensions

Pen and wash on laid paper (314 x 435)

Hand

Adam office hand, possibly Agostino Brunias, with inscription in the hand of William Adam

Literature

Bolton, 1922, Volume II, Index p. 17
Stillman, 1966, p. 36
Harris, 2007, p. 27
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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