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  • image Image 1 for SM (49) volume 71/51 (50) volume 71/52
  • image Image 2 for SM (49) volume 71/51 (50) volume 71/52
  • image Image 1 for SM (49) volume 71/51 (50) volume 71/52
  • image Image 2 for SM (49) volume 71/51 (50) volume 71/52

Reference number

SM (49) volume 71/51 (50) volume 71/52

Purpose

Working drawings for the south front (2)

Aspect

49 Plan; (verso) elevation and detail of the pedimented pilasters 50 Elevation and section of column

Scale

(49-50) to a scale

Inscribed

49 dimensions given; (verso) dimensions given 50 dimensions given

Hand

Soane office

Notes

Drawing 49 is a working drawing for the attic of the south front. The dotted line on the left-hand side of the drawing shows the arched entrance that leads behind the attic panels. The attic has fluted pilasters capped with pediments on four sides; these are shown in plan on the recto and in elevation and detail on the verso. The verso shows that each pilaster has a 1'9" base and 4'1"¾ shaft and is capped with a 1'5" tall pediment, and each is raised on a 9" block.

Drawing 50 is a working drawing for the base of a column. The section shows the capital of the column as attached to an overhang. An iron tie rod secures the top of the column to the eave, leaving a six inch gap between the capital and eave. The purpose of this gap is unclear.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).