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image Image 1 for SM (6) volume 46/20 (7) volume 46/21
image Image 2 for SM (6) volume 46/20 (7) volume 46/21
  • image Image 1 for SM (6) volume 46/20 (7) volume 46/21
  • image Image 2 for SM (6) volume 46/20 (7) volume 46/21

Reference number

SM (6) volume 46/20 (7) volume 46/21

Purpose

Progress drawings, 1-3 August 1816 (2)

Aspect

6 View of the South-West Angle 7 View of the North-West (pencil) East Angle

Signed and dated

(6) (pencil) PARKE, August 1st. 1816 (7) August 3d. 1816

Hand

(6-7) Henry Parke (1790-1835, pupil 1814-20)

Notes

Drawings 6 and 7 show the upper office, over the Reduced Annuities Office, at a point further along in construction than that shown in drawing 4. The lower walls for the office are shown, with an opening for a window. The aspect shown looks onto the south-west corner, bordering Princes Street. The floor beams are yet to be laid but both drawings show wood boards for the workmen to walk on.

Drawing 7 shows the north-east corner - the wall bordering the Garden Court and the north wall, looking onto more of the Bank. The spaces for segmental arched windows can be seen on the right, with lead-filled grooves along the bottom to hold the stonework in place.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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