Designs for the attic of the south front, one dated 22 October 1823 (2)

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Bank of England
  - Bank of England, City of London for the Governor and Company of the Bank of England, 1788-1834 (1352)
    - 1817-1833 Rebuilding of offices in the south-east and the façade, temporary office spaces and presentation drawings (219)
      - East, south and west façades, 1823-1828 (54)

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Reference number

SM (28) 10/2/2 (29) 10/2/4

Purpose

Designs for the attic of the south front, one dated 22 October 1823 (2)

Aspect

28 Plan and elevation 29 Elevation

Scale

(28-29) bar scale

Inscribed

28 The Bank of England, Design for part of the Attic, South Front and dimensions given 29 The Bank of England, Design for part of the Attic / South Front and dimensions given

Signed and dated

(28) 1823 (29) Lincolns Inn Fie[lds] / 22^nd October / 1823

Hand

(28) Soane and Soane office (29) Soane office

Notes

Drawings 28 and 29 show a more elaborate attic design than that built. Free-standing fluted piers are aligned over the Corinthian columns on the ground level. Behind the piers is a wall consisting of additional piers connected by panels, with each panel having a narrow semicircular-headed window. At both ends of this attic, and aligned with the ends of the colonnade, is a segment of wall as in drawing 29, with three narrow semicircular-headed windows. A similar panel design as part of the Princes Street entry (see scheme 3:4).

Level

Drawing

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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