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image Image 1 for SM (4) 81/2/15 (5) 81/2/13
image Image 2 for SM (4) 81/2/15 (5) 81/2/13
image Image 3 for SM (4) 81/2/15 (5) 81/2/13
  • image Image 1 for SM (4) 81/2/15 (5) 81/2/13
  • image Image 2 for SM (4) 81/2/15 (5) 81/2/13
  • image Image 3 for SM (4) 81/2/15 (5) 81/2/13

Reference number

SM (4) 81/2/15 (5) 81/2/13

Purpose

Working drawings, 12 and 15 November 1796 (2)

Aspect

4 Plan full size, Section full size (thro' Mantle) and Elevation of Chimney for Mr Soanes Room in the New Lodge (verso) and full size Elevation detail 5 Plan (full size) , Section thro' Mantle / full size and Elevation of Chimney for Soane's room, New Lodge (verso) and full size Elevation detail

Scale

(4-5) bar scale and details full size

Inscribed

4 as above, Portland (twice), Marble (twice), Bank of England and (pencil) Black 5 as above, Portland (twice), Marble (twice), (pencil) Mr Pritchard / I have sent you the / Moldings of Portland architrave / round Marble Chimney that you / sent to the Bank this Morning / J W and some dimensions given

Signed and dated

(4) Copy: November 12th 1796 (5) Bank Novr. 15 1796

Hand

Soane office

Notes

Drawings 4 and 5 show a chimney-piece designed for Soane's own room at the Bank, in the New Lodge.

Drawing 4 shows a fairly simple design and the materials are labelled: Portland stone and marble. The designs must have been intended for 'Mr Pritchard', who had already 'sent the marble chimney to the Bank' and was required to produce the architrave mouldings to surround it (as per inscription).

Drawing 5 shows an almost exact copy of drawing 4 and is inscribed 'Copy', though dated three days earlier than drawing 4. It follows that both designs may be copies of a lost original working drawing retained by the mason.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).