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  • image SM volume 109/16

Reference number

SM volume 109/16


[11/8] Plan of the first (Second) floor of King Charles II Court, illustrating the layout of cabins


First-floor plan


20 feet to 1 inch


In ink at top centre, King Charles 2:d Court, and below to right, The Second Floor; and with numbered scale bar; and at top right (top left of volume), 16.

Signed and dated

  • Undated, but datable 1727-28

Medium and dimensions

Pen and grey ink over graphite under-drawing, with grey wash; brown ink for titles, and for the inner staircases on the plan on laid paper,laid down. 500 x 370.


Unidentified hand, possibly that of John James


Strasbourg Lily / LVG


This drawing is correctly placed before 109/15 in the volume ([11/7]), but numbered 109/16, even though it is for the first floor of the building (Second Floor in 18th-century parlance), beneath the attic (Mezzanine). The nineteenth century indexer probably mistook 'mezzanine' for the floor above between the ground and first floors. The drawing is closely based on a plan by Hawksmoor in the National Maritime Museum (Wren Society, VI, pl. 19, top right).


Not in Wren Society



Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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