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image SM (22) 1/2/16

Reference number

SM (22) 1/2/16

Purpose

Record drawing that reconstructs Taylor's south-east Transfer Office, after 1818

Aspect

22 Section

Scale

bar scale

Inscribed

Section of the Office at the South East angle of the Bank (4 pr Cent)

Signed and dated

taken down in the year 1818

Hand

Soane office

Notes

Drawing 22 shows a section through Taylor's south-east Transfer Office, probably worked up from an earlier sketch, after the demolition of the old office had begun. The longitudinal section (cut along an east-west line) faces the eastern wall. A part of Taylor's south Transfer Office can be seen on the west (left) and the outer wall to the east (right).

The section also shows three of the twenty three lanterns (see drawing 9). The central lantern includes a row of short fluted pilasters (each capped by an indiscernible moulding) encircling the ring beam beneath the dome. The decorative mouldings differ slightly from those shown in drawing 6: the swags over the three central arches are similar in both halls but the pattern of circles reducing in scale above the columns in drawing 22 differ from the rosette diaper pattern of drawing 6.

Beneath the central lantern is an object of sepulchral appearance that may have been the original stove.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).