Variant designs for the Princes Street screen wall with a pedimented entrance (2)

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Bank of England
  - Bank of England, City of London for the Governor and Company of the Bank of England, 1788-1834 (1352)
    - 1799-1810 Expansions north-west and rebuilding of existing offices (487)
      - Screen walls on Princes and Lothbury Streets, 1803-1807 (21)

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Reference number

SM (3) volume 72/2 (4) volume 73/119a

Purpose

Variant designs for the Princes Street screen wall with a pedimented entrance (2)

Aspect

3 Elevation of the entrance and attic 4 Elevation of the attic; rough half-elevation of a scrolled acroterion

Scale

(3-4) to a scale

Inscribed

3 dimensions given of the window 4 (pencil) 9

Hand

Soane office

Watermark

(3) I Taylor 1801

Notes

Drawings 3 and 4 show variant designs for the attic over the entrance on Princes Street. In both designs, an arcade of semicircular-headed arches spans between twin pilasters supporting scrolled acroteria. The tympanum of each acroterion encloses a scallop shell. Drawing 3 shows an extra set of blind semicircular-headed arches, which have been cancelled in pencil. Drawing 4 includes a pediment crowning the attic and incised moulding framing the arches.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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