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image SM Adam volume 53/26 (part)

Reference number

SM Adam volume 53/26 (part)

Purpose

[48] Record drawings for friezes, N.D.

Aspect

Elevation of friezes for the hall, dining room and library. The hall frieze is composed of triglyphs alternating with enclosed ox/deer skulls and ram masks. The dining room frieze is composed of acanthus leaves and anthemia connected by scrolls. The library frieze is composed of an urn flanked by lions, one of which has an arabesque tail, beyond which is a stag/deer head with antlers from which hang drops of calyx

Scale

bar scale of 3/4 inch to 1 foot

Inscribed

Lord Mansfield / Hall at Kenwood / Dining room / Library

Signed and dated

It is not possible to assign a date range to this drawing as it is included in a volume of record drawings: drawn directly onto the page rather than pasted in. As such this collection of record drawings appears to have been produced as a complete work - perhaps as a catalogue of Adam friezes - and may have been compiled some time after the work at Kenwood.

Medium and dimensions

Pen and pencil drawn directly onto the folio page of laid paper (292 x 470)

Hand

Adam office hand, possibly James Adam

Watermark

VLDV and fleur-de-lis within crowned cartouche

Literature

Bolton, 1922, Volume II, Index p. 19
Bryant, 1990, p. 8
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).