(1-2) bar scale
1 (Soane) Bank of England, Submitted to the Com[mittee] & approved May 9. 1805, Floor of the Basement, Floor of the Acc[ountan] ts office, A, B, Elevation of one side of the Quadrangle / from A to B already built, Paving of the / Quadrangle three feet below the paving / of the footway in Lothbury, Section of the Room over / the officers Bedroom / &c, Elevation of the Barrack / Court, Section of the external wall, Paving of the Barrack Court, Foot paving in Lothbury and some dimensions given
2 (Soane) Bank of England, Submitted to the Com[mittee]: & approved May 9. 1805, Elevation of the North side of the Barrack Court / (different hand) (as Designed), (Soane) Section of the Barrack room, floor of Pass, A, A. use the old Rough Rustic / from the wall to be taken / down, ---- Room, Barracks, and some dimensions given
Signed and dated
- (1) Lin: Inn Fields May 8: 1805 (2) Lin. Inn Fields / May 9: 1805
(1-2) Soane office and Soane
(1-2) J Ruse 1804
Drawings 1 and 2 were approved by the Building Committee in May 1805. The drawings show the Barracks on the north side of the Great Quadrangle, across from the Accountants Office. To the north, the building faced a gated courtyard on to Lothbury Street. The building is shown on the same level as Lothbury Street, 3 feet above the Great Quadrangle. Soane's alterations to the drawings suggest lowering the level of the Court so that two of the Barracks' doors face on to the Court. Other alterations show a bracketed pediment over a window on the first floor and the adjoining building is shown as double-height with a clerestory lunette and three doors on the south wall.
The verso of drawing 2 shows the Doric Vestibult as built, omitting the columns at the west (left-hand side) end. The drawing could be a study for a perspective, with pencil lines extending from a single vantage point.
Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation
Sir John Soane's collection includes some 30,000 architectural,
design and topographical drawings which is a very important resource for
scholars worldwide. His was the first architect’s collection to attempt to
preserve the best in design for the architectural profession in the future, and
it did so by assembling as exemplars surviving drawings by great Renaissance
masters and by the leading architects in Britain in the 17th and 18th centuries
and his near contemporaries such as Sir William Chambers, Robert Adam and
George Dance the Younger. These drawings sit side by side with 9,000 drawings
in Soane’s own hand or those of the pupils in his office, covering his early
work as a student, his time in Italy and the drawings produced in the course of
his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of
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