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  • image Image 1 for SM (66) volume 73/89 (67) volume 73/86 (68) volume 72/52
  • image Image 2 for SM (66) volume 73/89 (67) volume 73/86 (68) volume 72/52
  • image Image 3 for SM (66) volume 73/89 (67) volume 73/86 (68) volume 72/52
  • image Image 1 for SM (66) volume 73/89 (67) volume 73/86 (68) volume 72/52
  • image Image 2 for SM (66) volume 73/89 (67) volume 73/86 (68) volume 72/52
  • image Image 3 for SM (66) volume 73/89 (67) volume 73/86 (68) volume 72/52

Reference number

SM (66) volume 73/89 (67) volume 73/86 (68) volume 72/52

Purpose

Design drawing, working drawing and record drawing for the archivolts, one dated 23 March 1804 (3)

Aspect

66 Half-elevation of archivolt with small ball moulding surrounding an interlaced Greek key pattern between rosettes; and rough sections of the moulding 67 Half-elevation of archivolt with small ball moulding surrounding a thick interlaced Greek key pattern between rosettes; and section of moulding 68 Copy of drawing 67

Scale

(66) bar scale (67-68) bar scale and (full size)

Inscribed

67 as above, The Bank, Vestibule, A (four times), B (twice), C (twice), D (twice), E (twice), F (twice), numbers 1 to 9, equal and some dimensions given 68 as above, The Bank, A (four times), B (twice), C (twice), D (twice), E (twice), F (twice) and some dimensions given

Signed and dated

  • (67) Lincoln Inn Fields / March 23: 1804 (68) (Copy) Lincolns Inn Fields / March 23rd 1804

Hand

Soane office

Watermark

(68) J Whatman 1801

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).