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image Image 1 for SM (208) 67/4/8 (209) 67/4/9
image Image 2 for SM (208) 67/4/8 (209) 67/4/9
image Image 3 for SM (208) 67/4/8 (209) 67/4/9
  • image Image 1 for SM (208) 67/4/8 (209) 67/4/9
  • image Image 2 for SM (208) 67/4/8 (209) 67/4/9
  • image Image 3 for SM (208) 67/4/8 (209) 67/4/9

Reference number

SM (208) 67/4/8 (209) 67/4/9

Purpose

Working drawings, 2 February - 26 May 1818 (3)

Aspect

208 Elevation & Section of / Door belonging to the / Secretary's new Office, Chelsea 209 Elevation of Cornice belonging to / the Secretary's new Office, Chelsea

Inscribed

208 as above and some dimensions given 209 as above, labelled Wall, Cornice, Brick Wall and some dimensions given (verso) Sir / In answer to the and further illegible writing (as if practising hand writing)

Signed and dated

(208) 22d. April / A Mee (209) 26th. May - 1818 / A Mee

Hand

(209) A.P. Mee (1802-1868, pupil 1818-1823)

Watermark

(208) 1815 (209) 1816

Notes

Drawing 208 shows the elevation and section of the side doorways, located between the main building and the side pavilions.

The upper detail of drawing 209 relates to the cornice of the central building, as built. The lower of the two drawings does not appear to correspond to any part of the cornice but may be an alternative design, or may be a design for a pier-cap for an attached wall that no longer survives. On the other side of the hospital, next to the Surgeon's House, there are piers crowned by canopy dome caps incised with triagular-pediment shapes. Soane may have designed similar pier caps for the area surrounding the Secretary's Offices.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).