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  • image Image 1 for SM (6) volume 73/64 (7) volume 73/65
  • image Image 2 for SM (6) volume 73/64 (7) volume 73/65
  • image Image 1 for SM (6) volume 73/64 (7) volume 73/65
  • image Image 2 for SM (6) volume 73/64 (7) volume 73/65

Reference number

SM (6) volume 73/64 (7) volume 73/65

Purpose

Variant design for a Vestibule with paired Doric columns and stairs ascending to the north and south recesses, 30 March 1804 (2)

Aspect

6 Section looking east 7 Section looking north

Scale

(6-7) bar scale

Inscribed

6 (Soane, pencil) 9.0 (twice), no rustic 7 Top of tooled plinth, (capitals, pencil) Inspectors / Office, Accountants / Office,

Signed and dated

  • (6) March 30 1803 (7) March 30 1803

Hand

(6) Soane and Soane office (7) Soane office

Notes

Drawings 6 to 9 show sections that correspond with the plans in drawings 1 and 3, including stairs ascending to the recesses on either side of the entrance. Raised north and south recesses were not included in the executed design, thus giving emphasis to the east-west axis. Such a levelling of the recesses may not have been the best choice, however, as the proportions of the Doric order were not consistent throughout the hall: the columns in the recesses were taller than those on the east end.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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