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  • image Image 1 for SM (100) 10/4/3 (101) SM 10/4/28
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  • image Image 1 for SM (100) 10/4/3 (101) SM 10/4/28
  • image Image 2 for SM (100) 10/4/3 (101) SM 10/4/28

Reference number

SM (100) 10/4/3 (101) SM 10/4/28

Purpose

Rough design for ornament, in Soane's hand, for unidentified office(s), October and December 1799

Aspect

101 Ceiling plan of groin vault; detail of mouldings; elevation of semicircular headed doorways; and detail of door frame with bead moulding 102 Elevation and ceiling plan of square pendentive dome; details of soffit; details of a spandrel; (verso) survey drawing showing upper floor plan of Aynhoe Park

Scale

(100) to a scale (101) bar scale

Inscribed

100 X This Beadwork 101 The Bank, Soffite of Arch, B, B, Stone Cirb A, A Stone Cirb, 48 flutes, A

Signed and dated

  • (100) Octr 13. 1799 (101) Decr: 3: 1799 (verso) 12 1799

Hand

(100-101) Soane

Watermark

(100) C Patch 1799

Notes

Drawings 100 and 101 are rough designs for ornament in the north-east extension. Drawing 100 has a design for a cross-vaulted ceiling and details of mouldings. The corner of the door frame is decorated with a bead moulding and half-flutes.

Drawing 101 shows a different room with a pendentive dome resting on four semicircular arches. The spandrel of the dome are ornamented with an acanthus motif and the dome has '48 flutes'. A space at the top is presumably for a lantern.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).