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  • image Image 1 for SM (14) volume 73/45 (15) volume 72/18
  • image Image 2 for SM (14) volume 73/45 (15) volume 72/18
  • image Image 1 for SM (14) volume 73/45 (15) volume 72/18
  • image Image 2 for SM (14) volume 73/45 (15) volume 72/18

Reference number

SM (14) volume 73/45 (15) volume 72/18

Purpose

Design relating the basement vaults and column pedestals, July 1803 (2)

Aspect

14 Section of the basement and lower part of the ground floor; and section of the wall 15 (Copy) of drawing 14

Scale

(14-15) bar scale

Inscribed

14 The Bank, Section thru Accts Office, Centre of door / into Inspectors / Office and dimensions given 15 as above, The Bank, Section through the Accountants Office and dimensions given

Signed and dated

  • (14) Lincolns Inn Fields / July 11th 1803 (15) Lincolns Inn Fields July 21st 1803

Hand

Soane office

Watermark

(15) I Taylor 1801

Notes

The Accountants Office rested on a groin vaulted basement. The half-columns on the ground floor were aligned with the piers in the basement below. The windows of the Accountants Office were framed by Ionic half-columns raised on pedestals.

For a similar drawing, see the verso of SM volume 72/5, drawing 58 scheme 3:6.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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