[11] Design for a ceiling for the drawing room, unexecuted, November 1778

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Robert and James Adam office drawings
- Country houses
  - Weald Hall, Brentwood, South Weald, Essex: designs for alterations to the house, a cottage, dog kennels, and interior decoration for Thomas and Christopher Tower, 1778-1779 (21)
    - Designs for the interior decoration of the saloon, drawing room and dining room (14)
      - Designs for a ceiling and walls for the drawing room, unexecuted, November 1778 (2)

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Reference number

SM Adam volume 14/45

Purpose

[11] Design for a ceiling for the drawing room, unexecuted, November 1778

Aspect

Plan of a tripartite rectangular ceiling with a central circular compartment and a lunette compartment to one side. The central compartment contains a circular band of enclosed anthemia containing medallions and a lozenge-shaped compartment

Scale

bar scale of 2/3 inch to 1 foot

Inscribed

Cieling for the Drawing room at Weald Hall in Essex (in a later hand) / Picture / Picture / Cornice and some dimensions given (in pencil)

Signed and dated

November 1778
Adelphi / 15t Novr 1778

Medium and dimensions

Pen, pencil and coloured washes including olive green on laid paper (555 x 399)

Hand

Adam office hand, possibly Joseph Bonomi, with title inscription in the hand of William Adam

Literature

Bolton, 1922, Volume II, Index p. 30
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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