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  • image Image 1 for SM (48) volume 73/26 (49) volume 73/30 (50) volume 72/35
  • image Image 2 for SM (48) volume 73/26 (49) volume 73/30 (50) volume 72/35
  • image Image 3 for SM (48) volume 73/26 (49) volume 73/30 (50) volume 72/35
  • image Image 1 for SM (48) volume 73/26 (49) volume 73/30 (50) volume 72/35
  • image Image 2 for SM (48) volume 73/26 (49) volume 73/30 (50) volume 72/35
  • image Image 3 for SM (48) volume 73/26 (49) volume 73/30 (50) volume 72/35

Reference number

SM (48) volume 73/26 (49) volume 73/30 (50) volume 72/35

Purpose

Designs for the north side of the Waiting Room Court, July 1803 (3)

Aspect

48 Section showing part of the north side of the Waiting Room Court and adjacent west wall; (Soane) rough detail of column plinth 49 Section showing part of the north side of the Waiting Room Court and adjacent west wall 50 Section showing part of the north side of the Waiting Room Court and adjacent west wall; two sections of the north wall

Scale

(48-50) bar scale

Inscribed

48 section labelled (Soane): Brickwork (twice), 10 Rustic 7: 11½ high, 10 Rustic, 12 Arch stone (twice), Plain plinth, Passage and dimensions given 49 face of wall and dimensions given 50 The Bank, face of wall, Brickwork (twice), A, C, D, B, Range with floor, Section from A to B, Section through C.D. to a larger scale, face of Column (twice), Basement floor face of wall, face of wall Principal Floor

Signed and dated

  • (48) July 14: 1803 (49) July 31: 1803 (50) (Copy) / Lincolns Inn Fields July [1803] (sheet trimmed)

Hand

(48, 50) Soane office and Soane (49) Soane office

Notes

Drawings 48 to 50 show a segment of solid wall at both ends, thereby limiting the colonnade and rustication to the centre of the wall. Such a discontinuation correlates well with the other sides of the Court, which also each include an isolated rusticated feature surmounted by columns. The treatment of this peripheral wall varies in drawings 48 to 50, as does the ornamentation at the roofline: drawing 48 shows a parapet with pilasters and antefixes; drawing 49 shows the parapet reduced; and drawing 50 shows a pitched roof line. Drawing 48 shows the addition, in Soane's hand, of a fret blocking above the arches in the basement as well as rusticated pedestals mounted on the piers. These two elements are included in drawings 49 and 50, as well as the executed design.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).