[78] Alternative design for a chimneypiece for the 1st drawing room (now the yellow drawing room), 1770-71

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Robert and James Adam office drawings
- Country houses
  - Harewood House, Yorkshire: designs for alterations to the church and house; for the interior decoration; and for a greenhouse and gateway for Edwin Lascelles, 1759-1782 (121)
    - Designs for the interior decoration of the house, including the hall, music room, saloon, dining room, gallery, library, bed rooms, dressing rooms, great staircase and portico soffit, 1765-1778 (107)
      - Alternative designs and record drawing for a chimneypiece for the 1st drawing room (now the yellow drawing room), 1770-71 (4)

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Reference number

SM Adam volume 22/194

Purpose

[78] Alternative design for a chimneypiece for the 1st drawing room (now the yellow drawing room), 1770-71

Aspect

Elevation of a chimneypiece with Corinthian pilaster stiles, enriched with rosettes enclosed by lozenges and fans in the shafts, with a frieze of a band of fluting, and a band of anthemia, and lozenges of beading enclosing medallions containing putti riding sea-horses

Scale

bar scale of 1 5/8 inches to 1 foot

Inscribed

Design of a Chimney Piece for the 1st Drawing Room at Harewood

Signed and dated

1770
1770

Medium and dimensions

Pen, pencil and wash on laid paper (406 x 292)

Hand

Adam office hand, possibly Joseph Bonomi

Literature

Bolton, 1922, Volume II, Index p. 16
Harris, 2001, p. 140
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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