Explore Collections Explore The Collections
You are here: CollectionsOnline  /  Framed drawing of the entrance from Lothbury Street, 1804
  • image (61) XP4

Reference number

(61) XP4


Framed drawing of the entrance from Lothbury Street, 1804


61 Elevation of the entrance


(upper case) Part of the north front of the Bank as originally intended, (on frame, upper case) North front, Bank of England, (as intended) Sir John Soane 1804

Signed and dated

  • as above, 1804


Soane office


The entrance is shown 'as originally intended', corresponding with Soane's early pre-February 1796 designs that include figurative statues in the attic and scrolled acroteria over the attic. Also included in the design (and not shown in earlier design drawings) are figurative statues with relief panels above, both behind the columns and on the main face of the wall to either side of the entrance gate. Relief panels also decorate the attic panels.



Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).