[1] Design for a chimney-piece with winged putti and a basket of flowers on the fire surround and a tall overmantel with a cresting of intertwined wreaths and a long drop of fruit and flowers

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English Baroque Drawings: architecture, sculpture and garden design
- Hampton Court Palace
  - Designs for chimney-pieces, room cornices and entablatures, door cases and internal wall elevations, c.1689-1694, mostly by Grinling Gibbons
    - Thirteen designs for tall and richly sculpted chimney-pieces, in a variety of wash colours; probably for principal state rooms

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Reference number

SM, volume 110/24

Purpose

[1] Design for a chimney-piece with winged putti and a basket of flowers on the fire surround and a tall overmantel with a cresting of intertwined wreaths and a long drop of fruit and flowers

Aspect

Elevation, incomplete on right

Scale

Not indicated, but about ^7/₈in to 1 foot

Inscribed

In pencil and ink by a C19 hand at top right, 24, 24

Signed and dated

Undated, but datable 1689-94

Medium and dimensions

Pen and brown ink over graphite under-drawing, with yellow ochre and grey washes and ruled graphite shading over the yellow ochre on the wall panel; on laid paper, with 6-10 mm repair strip of coarse wove paper at bottom of sheet (probably 1850); 403 x 217

Hand

Gibbons

Watermark

Shield with diagonal band of four parallel lines, surmounted by a fleur-de-lys (Strasbourg bend), over AJ

Notes

While the putti would have been in full relief, probably in gilded wood, the vase of flowers would have been flattened in form and three-quarters round. The ruled graphite over-drawing on the yellow walling indicates either the surface sheen of a gilt damask or brocade, or a more solid surface of glazed appearance. This could be in mosaic, as noted by Gibbons on 10, below (110/47). On both drawings the cornice profile is tentatively drawn, first in graphite, then in pen. Gibbons is experimenting with the outlines of the cornice, which may suggest that both drawings are relatively early within this group of colour-washed designs.

Literature

Wren Society, IV, pl. 37, top

Level

Drawing

Exhibition history

Grinling Gibbons and the Art of Carving, Victoria and Albert Museum, London, 22 October 1998 - 24 February 1999

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk