Explore Collections Explore The Collections
You are here: CollectionsOnline  /  Working drawings and record drawing for the Bullion Arch as executed, two dated February 1800 (3)
  • image Image 1 for SM (95) 10/3/7 (96) 10/3/47 (97) volume 60/160
  • image Image 2 for SM (95) 10/3/7 (96) 10/3/47 (97) volume 60/160
  • image Image 3 for SM (95) 10/3/7 (96) 10/3/47 (97) volume 60/160
  • image Image 1 for SM (95) 10/3/7 (96) 10/3/47 (97) volume 60/160
  • image Image 2 for SM (95) 10/3/7 (96) 10/3/47 (97) volume 60/160
  • image Image 3 for SM (95) 10/3/7 (96) 10/3/47 (97) volume 60/160

Reference number

SM (95) 10/3/7 (96) 10/3/47 (97) volume 60/160

Purpose

Working drawings and record drawing for the Bullion Arch as executed, two dated February 1800 (3)

Aspect

95 Elevation, wall plan and two sections showing a semicircular-headed entrance flanked by raised twin columns supporting figurative statues, between windows of smaller radius than the doorway; the attic is decorated with swags, fret motif and caducei, and crowned with an additional pedestal over the centre; ornamentation between the columns is the same as in drawing 93 96 Elevation of part of the Attic Front over the Gateway as in drawing 94, details of the antefixes and detail of the Molding at / full size and Section in Centre of Gateway 97 Perspective looking south showing upper half of design in drawing 94

Scale

(95) bar scale (96) to a scale and full size

Inscribed

95 Bullion Court / 51:11½ / by / 41:10½ withoutt (sic) / the new Cir: end. Cho line / ------- (illegible) 11:4½ and some dimensions given, Design for the South side of the Lothbury Court, The Bank of England 96 as above, Pannel as / the same / as those / already / up, A (twice), B (twice), C (twice), (Bailey) Lothbury Court., The Bank of England, and some dimensions given

Signed and dated

  • (95) Feb:ry 13. 1800 (97) Febry 13. 1800

Hand

Soane office

Notes

Drawing 96 has erasure marks on the pedestal crowning the centre of the attic, and drawings 95 and 97 also show variations in this top panel and the antefixes. The executed design was the same as drawings 95 to 97 but the additional attic pedestal over the centre was unornamented (aside from the antefixes crowning the pilasters).

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).