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image SM (93) 12/3/12

Reference number

SM (93) 12/3/12


Record drawing of the south and west sides of the Court, February 1800


93 Perspective looking south west showing triumphal arch motif with a niche and roundel between the columns on either side of the entrance with figurative sculptures above, and to the west a screen of four Corinthian columns raised in antis directly in front of a pair of Corinthian columns raised in antis


The Bank of England, View of a Design for the "Lothbury Court"

Signed and dated

  • Febry 7th 1800


Soane office


In drawing 93, the west side of Lothbury Court consists of a screen of four columns, with the two central columns paired with an additional set of columns behind. The façade does not complement the south side of the court, as the columns are larger, and the columniation does not mirror the east side of the court either. The unusual twin columns must have been included for their contribution to the Residence Court façade: they would mirror the other twin columns in the north west corner of that court.

The south side of the Court has the Bullion Arch, a triumphal arch with a Corinthian columns breaking forward. The orders are surmounted by four figurative statues, each representing one of the continents. The statues were modelled by Coade and Sealy, each costing £88.10 and supplied in August 1801 (Stroud).


D. Stroud, Sir John Soane, Architect, 1984, p. 157.



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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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