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image Image 1 for SM (5) 10/5/8 (6) 10/5/9
image Image 2 for SM (5) 10/5/8 (6) 10/5/9
  • image Image 1 for SM (5) 10/5/8 (6) 10/5/9
  • image Image 2 for SM (5) 10/5/8 (6) 10/5/9

Reference number

SM (5) 10/5/8 (6) 10/5/9

Purpose

Working drawing and a copy for the library, as built, January 1798 (2)

Aspect

5 Transverse section looking east; part-section of the Consols Transfer Office looking east; and (pencil) rough plan of a floor opening 6 Copy of drawing 5

Scale

(5-6) bar scale

Inscribed

5 level of Bank Stock -- (illegible, sheet trimmed), B (twice), Br and dimensions given in black and red pen, (Bailey) Section through Consols Library / (Looking East), (verso) Library (sheet trimmed) 6 as above, level of Bank Stock / Floor, B (three times), Br and dimensions given, (Bailey) Section through Consols Library (looking East)

Signed and dated

(5) Bank / Jan: 8: 1798 (6) Bank January 10th 17978

Hand

Soane office

Notes

Drawings 5 and 6 show a building of four storeys and three segmental (cross-vaulted) bays. The central bay is narrower and serves as an internal light well, as in drawing 4. The external walls are much thicker than drawing 4 and the supporting piers are 10 to 12½ inches thicker than the earlier design, leaving less space for the rooms themselves. The supportive piers in drawings 4 to 6 the piers all diminish in size as the storeys ascend. The piers in drawings 5 and 6, however, are cruciform in plan, providing a springing-line for the cross-vaults, whereas in drawing 4 they are simply rectangular.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).