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image SM volume 74/23

Reference number

SM volume 74/23

Purpose

Survey drawing of north end, as existing, used as model for renovating Taylor's two old Transfer Halls, dated 1818

Aspect

57 Section of the Bank Stock Office and (verso, feint pencil) studies of arched bays

Scale

to a scale

Inscribed

as above, The Bank of England, (These dimensions taken in 1818.), dimensions and (pencil) calculations given and (verso, pencil) 4 Per Cent

Signed and dated

datable to August or September 1818

Medium and dimensions

Pen, pencil and sepia wash on wove paper with three fold marks (511 x 639)

Hand

F. Copland (pupil 1817-1820)

Notes

The drawing surveys the state of the hall in 1818, including the door added in 1798-99 to the north wall leading to the Consols Transfer Office. The office Day Book records the pupil F. Copland drawing a section of the Bank Stock Office from 31 August to 7 September 1818.
In 1818, Soane began renovating Taylor's old Four and Five Per Cent Offices, south and southwest of the Bank Stock Office. He used the Bank Stock Office as a general model, which explains the existence of this survey drawing and the careful measurements inscribed in pen.
Pencil studies in the margins detail the Greek key ornamentation, the plan of the lantern, and the section of the roof. A lower position for the clock is also sketched-in. The pencil studies on the verso inscribed 4 Per Cent, clearly relate this drawing to the 1818 renovation.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).