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  • image SM volume 62/19

Reference number

SM volume 62/19

Purpose

Record drawing of ceiling and interior, as executed, dated 26 September 1796

Aspect

53 Interior perspective looking north and reflected-ceiling plan

Scale

to a scale

Inscribed

Bank of England / View of the Bank Stock Office, & The Plan of the Bank Stock Office

Signed and dated

  • (pencil) Smirke Septr 26th 1796

Medium and dimensions

Pen, pencil and sepia, blue, brown madder and burnt sienna washes on laid paper (369 x 235)

Hand

Robert Smirke (1781-1867, pupil 1796-97)

Watermark

fleur-de-lis

Notes

The northerly view and reflected-ceiling plan on this drawing depict the Bank Stock Office as executed. The drawings are smaller and more delicate than the nearly identical drawings 51-52, indicating that drawing 53 is probably a copy drawn for mounting in a folio with other record drawings of Soane's work.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).