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  • image SM volume 74/36

Reference number

SM volume 74/36

Purpose

[47] Designs for chimney piece and flues

Aspect

Plans, sections and elevations for north-wall chimney piece and flues

Scale

bar scale of ½ inch to 1 foot

Inscribed

Bank Stock Office, Elevation of external Projection to receive / Flues of the Stoves and / Revolutions for warm Air to be / conveyed into the Office, Section through Line G H, 1st Plan, Plan to Cellar of B S Office, 3rd Plan, Plan of Flues, 2nd Plan, Plan of Chimney Piece and Projection / to receive Flues

Signed and dated

  • datable to 1792-93

Medium and dimensions

Pen, pencil, pale red pen, sepia, yellow ochre, burnt sienna washes on wove paper with one fold mark (643 x 508)

Hand

attributed to William Lodder (assistant 1789-?) or Charles Ebdon (assistant 1791-1792)

Notes

This drawing depicts the chimney piece and accompanying flues built at the north end of the Bank Stock Office, as well as a locked, grated entrance into the cellar below. The flues connected to the hypocaust system depicted in SM volume 74/34, conducting hot air and smoke generated by the firebox in the centre of the cellar, as seen in SM volume 74/35, up through the north wall and out of the building. SM volume 74/37 clearly shows the chimney piece and cellar door in relation to the built hall.

It also appears that the hot air pipes embedded in the north wall and running exposed across the front of the chimney piece might have helped warm the hall. Additionally or alternatively, the chimney piece may have been a working fireplace, holding a bed of hot coals in a raised grate.

Literature

T. Willmert, 'Heating methods and their impact on Soane's work: Lincoln's Inn Fields and Dulwich Picture Gallery', Journal of Society of Architectural Historians, 52/1, March 1993, p. 32, fig. 8

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


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