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top right corner
bottom left corner
bottom right corner
image SM volume 74/33

Reference number

SM volume 74/33

Purpose

Design for corner tie-rods at roof level, as executed

Aspect

28 Half Plan on the Line I K to the 4 Sections and Plan on the Line L M to the 4 Sections (at two levels)

Scale

bar scale of 1/6 inch to 1 foot

Inscribed

as above, Bank Stock Office, No. 36 (four times), No. 37 (five times), No. 39 (six times), F, dimensions given

Signed and dated

  • datable to 1792-93

Medium and dimensions

Pen, pencil, pale red ink, sepia and yellow ochre washes on wove paper with two fold marks (523 x 648)

Hand

attributed to William Lodder (assistant 1789-?) or Charles Ebdon (assistant 1791-1792)

Notes

The drawing is one of a set of related drawings together with drawings 17-18, 22, 29 and 45. The split-plan reveals Soane's use of iron-tie rods, in sepia wash, to brace the four corner bays at roof level. The lines of the two plans are keyed to the longitudinal sections in drawings 17-18, where the tie rods are indicated in blue wash.
At the top of the drawing, the plan runs through a stone course just below the four large impost blocks buttressing the central and clerestory arches. The tie rods help brace the lateral force of these arches by tying together the tops of the corner bays' four piers and also binding the lintels running between them. At the bottom of the drawing, the plan has been taken at a slightly higher line, at the top of the four large impost blocks. Here the tie rods are set directly into the blocks, bracing them against the thrust of the upper arches. However, the tie rods at this level run along only three sides of the corner bays, omitting the inner face through the clerestory lunettes.
In the corner of the bays' roofs appear to be drains that may be connected to the piping depicted in drawings 17-18 and 22, running across the upper zone of the hall's long east and west walls. Numbers inscribed in the vaulting and the framing lintels of each of the bays (No. 36 and 39) may refer to types of bricks or blocks.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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