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image SM volume 74/14

Reference number

SM volume 74/14

Purpose

Design for roof, as executed

Aspect

27 Plan of the roof, Section on the Line A B, Elevation to the East & West Front / from E to F & G to H, Section on the Line C D and (verso) section of the paving above the corner arches

Scale

bar scale of ¼ inch to 1 foot (verso) half full size

Inscribed

as above, The Bank of England, Roof of the Bank Stock Office, a key A B C D E F G H and (verso) Bank Stock Office / Plans of Upper Parts, (pencil) Puddle stone / York paving over arches - 1/2 full size

Signed and dated

datable to 1792-93

Medium and dimensions

Pen, pencil, pale red ink, sepia and raw umber washes on wove paper with three fold marks (538 x 660)

Hand

Soane office

Notes

The drawing shows the structure of the roof as executed including: the vaulting of the side-arms, the top of the corner bays, the clerestory lunettes, the central pendentive dome, the lantern, the stone parapets along the east and west fronts, and in the plan the layout of the existing balusters and pedestals along Bartholomew Lane by Taylor.
Lightly penciled small circles in the plan around the interior of the dome delineate the position of the lantern posts above. At the top of the sheet is a pencil sketch of the lantern's overhang, in large scale.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).