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image SM volume 74/13

Reference number

SM volume 74/13

Purpose

Longitudinal section and wall elevation with segmental lunettes, as executed

Aspect

16 Longitudinal section looking west

Scale

to a scale

Inscribed

The Bank of England, Section of the Bank Stock Office, (pencil) dimensions given

Signed and dated

datable to 1792

Medium and dimensions

Pen, pencil and sepia wash on wove paper with four fold marks (528 x 645)

Hand

Soane office

Notes

The drawing shows the structure, dimensions and decoration of the Bank Stock Office more or less as executed, here shown in a longitudinal section looking towards the west wall with its right-hand door leading into the adjacent Four Per Cent Office and blank door to the left maintaining the symmetry of the elevation.
The drawing stresses decoration, clearly showing the Greek-key fretting along the very narrow frieze moulding, the rosettes and panels on the arch soffits, the striated pendentives, and lion's-mask rosettes in the spandrels.
Some very light sketches, presumably by Soane, show a central stove and column-flue, demonstrating that the column-flue scheme remained a possibility up until the end of the design process. There are some other faint, unidentifiable miscellany sketches in the margins.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).