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  • image Image 1 for SM 31/4/28
  • image Image 2 for SM 31/4/28
  • image Image 1 for SM 31/4/28
  • image Image 2 for SM 31/4/28

Reference number

SM 31/4/28


[206] Preliminary working drawing and design for the interior, 3 and 5 February 1801


Plan of Library and Breakfast Room and elevation/section of north wall through both rooms with revisions and rough detail by Soane (verso) details of a bookcase


bar scale of 9/16 inch to 1 foot


labelled door, finishings, door into Room, door of B, Q[uer]y of any/ door (five times) / opposite, Portfolio, mahog[an]y door, This recess to / correspond with the window, The Portfolio, finish, Drawer (twice), Marble Top (four times), Knuckle of Hinge, door of Book, depth of Recess for door into stair, Drawer under Book (three times), Mahog[an]y. door/ 4.1½ / Lay flush next draw[e]r. Room / onto fold ban, finishings, Bookcase, Hinge, maps and some dimensions given (verso) Line of marble, door (twice), Stile of Bookcase door, 2 Inch, The Groove (twice) and Take this

Signed and dated

  • 3 February 1801 - 5 February 1801
    LIF Feby 3 1801 (verso) Feb. 5. 1801

Medium and dimensions

Pen, pale red, Naples yellow, terre verte, cerulean blue and sepia washes, partly pricked for transfer, on wove paper (580 x 699)


Seward, Henry Hake (1778--1848), draughtsman
Henry Hake Seward (1778-1848, pupil and assistant 1794-1808) (Day Book 3 February 1801)


WL 1794



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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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