[54] Survey drawing, 20 October 1800

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Country houses, etc.
  - Pitzhanger Manor, Ealing, London: (executed) a house for John Soane and six unexecuted schemes for a villa at Acton, 1800-1832 (285)
    - Survey drawings and views of the existing Pitzhanger Manor, September - November 1800 (18)
      - Survey drawings, 20 October 1800 and 24 January 1801 (4)

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Reference number

SM 30/3/18

Purpose

[54] Survey drawing, 20 October 1800

Aspect

(Soane) The Elevation of the West Front in its present state and The Elevation of the East Front in its present State

Scale

bar scale of 1/5 inch to 1 foot

Inscribed

as above, labelled (Soane) stone (seven times), brick (twice), brick cornice, floor, (pencil) from floor about 30.2 to under side of Cornice / of Eating Room and some dimensions given

Signed and dated

20 October 1800
(Soane) Mr. Soane / Ealing /, Lin Inn Fields Oct 20^th 1800

Medium and dimensions

Pen and sepia wash, partly pricked for transfer, on wove paper (524 x 680)

Hand

Possibly Seward, Henry Hake (1778--1848), draughtsman
Henry Hake Seward (1778-1848, pupil and assistant 1794-1808) or Thomas Sword (pupil 1789-1804) (Day Book 20 October 1800, Day Book 24 January 1801)
Possibly Thomas Sword, draughtsman
Henry Hake Seward (1778-1848, pupil and assistant 1794-1808) or Thomas Sword (pupil 1789-1804) (Day Book 20 October 1800, Day Book 24 January 1801)

Literature

J. Lever, Catalogue of the drawings of George Dance the Younger (1741-1825) and of George Dance the Elder (1695-1768) from the collection of Sir John Soane’s Museum, 2003, catalogue 68, pp.214-6

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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