- Published Work: Soane/Baroque/Adam/other architects
Drawing 33 shows fireplaces in the large Gallery rooms, indicated by niches in the wall, however, drawings 34 and 35 show only flues embedded in the Gallery walls. In the alternative plans Soane explores different heating options. In 'Heating methods and their impact on Soane's work: Lincoln's Inn Fields and Dulwich Picture Gallery', Journal of Society of Architectural Historians, 52/1, March 1993, pp. 26-58, Todd Willmert writes of Soane's indecisiveness about the heating of the Gallery. It is not known whether the Gallery had fireplaces or not but the central steam system would definitely have been the main source for heating the space. Fireplaces may have been employed to provide additional heat or purely for aesthetic purposes.
Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).